JOURNALISM
"'Drop our old Gods': unearthing resistance to work in radical cultural history." Autonomy: Web. 27 Apr. 2022.
"Matt Hancock’s Pandemic Diaries and the history of the redemptive memoir." The Conversation: Web. 22 Dec. 2022.
"Class and the Arts: A Crisis of Representation." Review 31: Web. 2019.
“Altitude Sickness.” Literary Review. vol. 455, Jul. 2017, p.20.
“Against Us and Them: Reframing the Migrant Question.” Review 31: Web. 9 Nov. 2016.
“The EU Referendum: The Promise of Change.” Fabian Society: Web. 29 Jun. 2016.
“After Gwangju.” Literary Review, vol.439, Feb. 2016, pp.44-45.
"Corbyn’s dangerous friends: debunking the myths." Open Democracy: Web. 28 July 2016.
“Still Down and Out in Paris and London.” The Conversation: Web. 15 Apr. 2016.
“Homelessness Has Returned to 1900 Levels.” Left Foot Forward: Web. 23 Mar. 2016.
“So Just How Fucked Are We?” Review 31: Web. Feb. 2015.
“Those Same Hours.” The Times Literary Supplement, issue 5967, 19 Jul. 2015, p.42.
“Cultural Studies.” Times Literary Supplement, issue 5944. Mar. 2015, pp.35-36.
“Default Philosophy Man.” Review 31: Web. Jan. 2015.
“Ideology Without Ideology.” Review 31: Web. Jun. 2014.
“A Practical Communism for All.” LA Review of Books: Web. 13 Feb. 2014.
“Theatre as Provocation.” Review 31: Web. Mar. 2014.
“The Way of the World.” Review 31: Web. Jun. 2013.
“Double Negative by Ivan Vladislavic.” The Litterateur: Web. 10 Nov. 2013.
“Artful by Ali Smith.” The Litterateur: Web. 12 Nov. 2012.
PLAYS
"Shapeshifter." Linbury Theatre, LAMDA MishMash Festival, 2022.
"The Prince of Homburg." (Adaptation of Heinrich von Kleist's "Prinz Friedrich von Homburg") Linbury Theatre, LAMDA, 2016.
"The Cabinet of Dr. Caligari." (Adaptation of Robert Wiene's "Das Cabinet des Dr. Caligari") Théâtre de la Poulie, Avignon Off Festival, 2011.
"King Ubu." (Adaptation of Alfred Jarry's "Ubu Roi") Zoo Venues, Edinburgh Festival, 2010.
"'Drop our old Gods': unearthing resistance to work in radical cultural history." Autonomy: Web. 27 Apr. 2022.
"Matt Hancock’s Pandemic Diaries and the history of the redemptive memoir." The Conversation: Web. 22 Dec. 2022.
"Class and the Arts: A Crisis of Representation." Review 31: Web. 2019.
“Altitude Sickness.” Literary Review. vol. 455, Jul. 2017, p.20.
“Against Us and Them: Reframing the Migrant Question.” Review 31: Web. 9 Nov. 2016.
“The EU Referendum: The Promise of Change.” Fabian Society: Web. 29 Jun. 2016.
“After Gwangju.” Literary Review, vol.439, Feb. 2016, pp.44-45.
"Corbyn’s dangerous friends: debunking the myths." Open Democracy: Web. 28 July 2016.
“Still Down and Out in Paris and London.” The Conversation: Web. 15 Apr. 2016.
“Homelessness Has Returned to 1900 Levels.” Left Foot Forward: Web. 23 Mar. 2016.
“So Just How Fucked Are We?” Review 31: Web. Feb. 2015.
“Those Same Hours.” The Times Literary Supplement, issue 5967, 19 Jul. 2015, p.42.
“Cultural Studies.” Times Literary Supplement, issue 5944. Mar. 2015, pp.35-36.
“Default Philosophy Man.” Review 31: Web. Jan. 2015.
“Ideology Without Ideology.” Review 31: Web. Jun. 2014.
“A Practical Communism for All.” LA Review of Books: Web. 13 Feb. 2014.
“Theatre as Provocation.” Review 31: Web. Mar. 2014.
“The Way of the World.” Review 31: Web. Jun. 2013.
“Double Negative by Ivan Vladislavic.” The Litterateur: Web. 10 Nov. 2013.
“Artful by Ali Smith.” The Litterateur: Web. 12 Nov. 2012.
PLAYS
"Shapeshifter." Linbury Theatre, LAMDA MishMash Festival, 2022.
"The Prince of Homburg." (Adaptation of Heinrich von Kleist's "Prinz Friedrich von Homburg") Linbury Theatre, LAMDA, 2016.
"The Cabinet of Dr. Caligari." (Adaptation of Robert Wiene's "Das Cabinet des Dr. Caligari") Théâtre de la Poulie, Avignon Off Festival, 2011.
"King Ubu." (Adaptation of Alfred Jarry's "Ubu Roi") Zoo Venues, Edinburgh Festival, 2010.